Type: Podcast
Episodes: 195 episodes
You can follow the show at @DrMayaShankar on Instagram.
Apple Podcasts’ Best Show of the Year 2021 Editor's Note: Maya Shankar blends compassionate storytelling with the science of human behavior to help us understand who we are and who we become in the face of a big change. Maya is no stranger to change. “My whole childhood revolved around the violin, but that changed in a moment when I injured my hand playing a single note,” says Shankar, who was studying under Itzhak Perlman at the Juilliard School at the time. “I was forced to try and figure out who I was, and who I could be, without the violin." Maya soon discovered a new path in the field of cognitive science, where she earned her PhD as a Rhodes Scholar studying how and why we change. Her insights into human behavior ultimately led her to create A Slight Change of Plans—Apple Podcasts’ Best Show of the Year in 2021. You’ll hear intimate conversations with people like Tiffany Haddish, Kacey Musgraves, and Riz Ahmed, as well as real-life inspirations, like John Elder Robison, who undergoes experimental brain stimulation to deepen his emotional intelligence, Daryl Davis, a Black jazz musician who inspires hundreds of KKK members to leave the Klan, and Shankar herself, who had her own “slight change of plans” earlier this year. The show also explores the science of change with experts like Adam Grant and Angela Duckworth. "What I love most about this show is that the content is evergreen," says Shankar. "You can listen to episodes in any order and at any time."
Think bigger. Create better. Live smarter. Ideas are coming at you every day from all directions. Where do you even start? Hosted by Rufus Griscom, and featuring thought-leaders Malcolm Gladwell, Susan Cain, Adam Grant, and Daniel Pink, THE NEXT BIG IDEA brings you the most groundbreaking ideas that have the power to change the way you live, work, and think. Each episode dives deep into one big idea through immersive storytelling, narration and curator interviews with the most interesting authors at work today.
In this episode, first aired in 2011, we talk about the meaning of a good game — whether it's a pro football playoff, or a family showdown on the kitchen table. And how some games can make you feel, at least for a little while, like your whole life hangs in the balance. This hour of Radiolab, Jad and Robert wonder why we get so invested in something so trivial. What is it about games that make them feel so pivotal?
We hear how a recurring dream about football turned into a real-life lesson for Stephen Dubner, we watch a chessboard turn into a playground where by-the-book moves give way to totally unpredictable possibilities, and we talk to Dan Engber, a one time senior editor at Slate, now at The Atlantic, and a bunch of scientists about why betting on a longshot is so much fun. And finally, we talk to Malcolm Gladwell about why he loves the overdog.
CITATIONS:
Videos -
The Immaculate Reception (https://zpr.io/izhV3Sm88SWF) by Franco Harris on December 23, 1972. Harris was the Pittsburgh Steelers’ fullback at the time.
Books -
Stephen J. Dubner’s book, Confessions of a Hero Worshipper (https://zpr.io/iQUwfF8vGArj)
Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!
Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.
Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org
Leadership support for Radiolab’s science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.
It’s not an exaggeration to say that “clock time” runs our lives. From the moment our alarms go off in the morning, the clock reigns supreme: our meetings, our appointments, even our social plans are often timed down to the minute. We even measure the quality of our lives with reference to time, often lamenting that time seems to “fly by” when we’re having fun and “drags on” when we’re bored or stagnant. We rarely stop to think about time, but that’s precisely because there are few forces more omnipresent in our lives.
“You are the best time machine that has ever been built,” Dean Buonomano writes in his book “Your Brain Is a Time Machine: The Neuroscience and Physics of Time.” Buonomano is a professor of neurobiology and psychology at U.C.L.A. who studies the relationship between time and the human brain. His book tackles the most profound questions about time that affect all of our lives: Why do we feel it so differently at different points in our lives? What do we miss if we live so rigidly bound to the demands of our clocks and appointments? Why during strange periods like pandemic lockdowns do we feel “lost in time”? And what if — as some physicists believe — the future may already exist, with grave implications for our ability to act meaningfully in the present?
We discuss what time would be in an empty universe without humans, why humans have not evolved to understand time the way we understand space, how our ability to predict the future differs from animals’, why time during the Covid lockdowns felt so bizarre, why scientists think time “flies” when we’re having fun but slows down when people experience near-death accidents, what humans lost when we invented very precise clocks, why some physicists believe the future is already determined for us and what that would mean for our ethical behavior, why we’re so bad at saving money, what steps we could take to feel as if we’re living longer in time, why it’s so hard — but ultimately possible — to live in the present moment and more.
Mentioned:
Don’t Sleep, There Are Snakes by Daniel L. Everett
Book Recommendations:
Noise by Daniel Kahneman, Olivier Sibony and Cass R. Sunstein
When We Cease to Understand the World by Benjamin Labatut
The Age of A.I. by Henry A. Kissinger, Eric Schmidt and Daniel Huttenlocher
Thoughts? Email us at ezrakleinshow@nytimes.com. (And if you’re reaching out to recommend a guest, please write “Guest Suggestion” in the subject line.)
You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.
“The Ezra Klein Show” is produced by Emefa Agawu, Annie Galvin, Jeff Geld, Rogé Karma and Kristin Lin. Fact-checking by Michelle Harris and Kate Sinclair. Original music by Isaac Jones. Mixing by Jeff Geld and Isaac Jones. Audience strategy by Shannon Busta.
Mel Blanc was known as “the man of 1,000 voices,” but, to hear his son tell it, the actual number was closer to 1,500. Bugs Bunny, Porky Pig, Daffy Duck, Tweety, Barney Rubble, Woody Woodpecker, Sylvester, Foghorn Leghorn — all Mel. These characters made him one of the most beloved men in the United States.
In this episode from 2012, Mel Blanc’s son Noel tells Producer Sean Cole how his father’s entire body would transform to bring life to these characters. But on a fateful day of 1961, after a crash left Mel in a lengcoma, it was the characters who brought life to him.Episode Credits:Reported by Sean Cole
Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!
Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org
Leadership support for Radiolab’s science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.
When people ask me what my favorite episode of 99% Invisible is, I have a hard time answering. Not because they’re all my precious little babies or some such nonsense, but mostly it’s because I just can’t remember them all and there’s no simple criteria to judge them against each other. But the show is definitely in contention for the best episode we’ve ever made. It just has everything– engaging storytellers, brilliant reporting, and a compelling history of a moment when the world really changed. It’s called the Freedom House Ambulance Service. It originally aired in the summer of 2020, when a lot of the fundamental aspects of work, life, health, law enforcement, structural racism, cities were all being questioned by more and more people because of COVID and the George Floyd protests. Kevin Hazzard, who reported the piece, subsequently released a whole book on the Freedom House Ambulance Service called American Sirens: The Incredible Story of the Black Men Who Became America's First Paramedics. It’s new, it’s out now, you should buy it. should read it, it should be on all your Christmas lists. To celebrate the book’s release, I’m proud to re-present to you: The remarkable story of the Freedom House Ambulance Service.
Why do we have a butt? Well, it’s not just for the convenience of a portable seat cushion. This week, we have a conversation with our Contributing Editor Heather Radke, who has spent the last several years going deep on one of our most noticeable surface features. She’s been working on a book called “Butts, a Backstory” and in this episode, she tells us about a fascinating history she uncovered that takes us from an eugenicists’ attempt in the late 1930s to concretize the most average human, to rise of the garment industry, and the pain and shame we often feel today when we go looking for a pair of pants that actually fit.
Special thanks to Alexandra Primiani and Jordan Rodman
Episode Credits:Reported by Heather RadkeProduced by Matt KieltyOriginal music and sound design contributed by Matt Kielty and Jeremy BloomMixing by Jeremy BloomFact-checking by Emily Krieger
Citations:You can Pre-order Heather’s book “Butts: A Backstory” here (https://zpr.io/QVFVLTTW9vpN)
Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!
Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.
Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.
Leadership support for Radiolab’s science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.
The basic mechanics of the bike are pretty simple --- it’s basically a triangle with wheels and a chain drive to propel it forward. No batteries or engines. It seems obvious in hindsight .... And that’s why most people guess the bike was invented a long time ago. Yet the ‘running machine,' a kind of early proto-bike, debuted around 1817.
For much more on the history of the bicycle, check out Jody Rosen's book: Two Wheels Good: The History and Mystery of the Bicycle.
You can follow the show on Instagram @DrMayaShankar.
Civil rights icon Ruby Bridges is our guest today. She shares what it was like to be the first African-American student to attend an all-white elementary school in Louisiana in 1960. Ruby was just six years old at the time, and it would be years before she fully appreciated her role in advancing civil rights in America.
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When we play Monopoly or basketball, we know we are playing a game. The stakes are low. The rules are silly. The point system is arbitrary. But what if life is full of games — ones with much higher stakes — that we don’t even realize we’re playing?
According to the philosopher C. Thi Nguyen, games and gamified systems are everywhere in modern life. Social media applies the lure of a points-based scoring system to the complex act of communication. Fitness apps convert the joy and beauty of physical motion into a set of statistics you can monitor. The grades you received in school flatten the qualitative richness of education into a numerical competition. If you’ve ever consulted the U.S. News & World Report college rankings database, you’ve witnessed the leaderboard approach to university admissions.
In Nguyen’s book, “Games: Agency as Art,” a core insight is that we’re not simply playing these games — they are playing us, too. Our desires, motivations and behaviors are constantly being shaped and reshaped by incentives and systems that we aren’t even aware of. Whether on the internet or in the vast bureaucracies that structure our lives, we find ourselves stuck playing games over and over again that we may not even want to win — and that we aren’t able to easily walk away from.
This is one of those conversations that offers a new and surprising lens for understanding the world. We discuss the unique magic of activities like rock climbing and playing board games, how Twitter’s system of likes and retweets is polluting modern politics, why governments and bureaucracies love tidy packets of information, how echo chambers like QAnon bring comfort to their “players,” how to make sure we don’t get stuck in a game without realizing it, why we should be a little suspicious of things that give us pleasure and how to safeguard our own values in a world that wants us to care about winning the most points.
Mentioned:
How Twitter Gamifies Communication by C. Thi Nguyen
Trust in Numbers by Theodore M. Porter
Seeing Like a State by James C. Scott
“Against Rotten Tomatoes” by Matt Strohl
“A Game Designer’s Analysis Of QAnon” by Reed Berkowitz
The Great Endarkenment by Elijah Millgram
Game recommendations:
Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.
You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.
“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Our executive producer is Irene Noguchi. Special thanks to Kristin Lin.
When Alana Casanova-Burgess set out to make a podcast series about Puerto Rico, she struggled with what to call it. Until one word came to mind, a word that captures a certain essence of life in Puerto Rico, but eludes easy translation into English. We talk to Alana about her series, and that particular word, then turn to an old story about treating words as signals of something happening just beneath the surface.
Agatha Christie's clever detective novels may reveal more about the inner workings of the human mind than she intended. According to Dr. Ian Lancashire at the University of Toronto, the Queen of Crime left behind hidden clues to the real-life mysteries of human aging in her writing. Meanwhile, Dr. Kelvin Lim and Dr. Serguei Pakhomov from the University of Minnesota add to the intrigue with the story of an unexpected find in a convent archive that could someday help pinpoint very early warning signs for Alzheimer's disease and dementia. Sister Alberta Sheridan, a 94-year-old Nun Study participant, reads an essay she wrote more than 70 years ago.
La Brega update was produced by Maria Paz Gutierrez
URL: Website
Date: Jul 31st, 2020
URL: Website
Date: May 24th, 2017
URL: Website
Date: Sep 17th, 2015
In December of 2009, photojournalist Lynsey Addario was embedded with a medevac team in Afghanistan. After days of waiting, late one night they got the call - a marine was gravely wounded. What happened next happens all the time. But this time it was captured, picture by picture, in excruciating detail. Horrible, difficult, and at times strikingly beautiful, those photos raise some questions: Who should see them, who gets to decide who should see them, and what can pictures like that do, to those of us far away from the horrors war and those of us who are all too close to it. Special thanks to Chris Hughes and Helium Records for the use of Shift Part IV.
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